Unfortunately, your access has now expired. But there’s good news—by subscribing today, you will receive 22 issues of Booklist magazine, 4 issues of Book Links, and single-login access to Booklist Online and over 180,000 reviews.
Your access to Booklist Online has expired. If you still subscribe to the print magazine, please proceed to your profile page and check your subscriber number against a current magazine mailing label. (If your print subscription has lapsed, you will need to renew.)
You must be logged in to read full text of reviews.
> Logged-in users can make lists, save searches, e-mail, and more!
> Click My Profile to create a username & password
> Try a free trial or subscribe today
April 15, 2017 BOOKLIST
Find more Trend Alert
Disease striking the tragically young has been an iron mainstay since the advent of YA fiction—in a lot of those early “problem novels,” the problem in question was the suffering of the protagonists’ best friends (or boyfriends, or siblings, etc.), if not the poor protags themselves.
The seismic success of John Green’s The Fault in Our Stars (2012) injected renewed vigor into this classic story line (referred to in some places as “sick lit”). Perhaps the crowding of the market is one reason we’ve seen a startling spike in stories involving more unusual diseases, disorders, and conditions. It makes sense: in some ways, being so burdened is the flip side of having special abilities, another teen-lit mainstay. (Don’t count out middle-grade books, either; in 2016, for example, there were three books featuring synesthesia: Sheila Grau’s The Boy with 17 Senses, Linda Sue Park’s Forest of Wonders, and James R. Hannibal’s Lost Property Office.)
The conditions range from face blindness (Jennifer Niven’s Holding Up the Universe, 2016, and a certain Printz favorite we can’t mention due to spoilers); to Munchausen syndrome (C. J. Lyons’ Broken, 2013, and Calla Devlin’s Tell Me Something Real, 2016); to being allergic to, well, everything (Nicola Yoon’s Everything, Everything, 2015, and Robert Wilder’s Nickel, 2016). Below are just a few recent standouts.
100 Days. By Nicole McInnes. 2016. Farrar, $17.99 (9780374302849). Gr. 9–12.
Agnes’ progeria has her aging at 10 times the normal rate, and that only complicates the dynamics between her, best friend Moira, and the return of Agnes’ old friend Boone. Each character has individual struggles, but it’s Agnes who stands out, forever refusing to let her disease define her.
Althea & Oliver. By Cristina Moracho. 2014. Viking, $17.99 (9780670785391). Gr. 10–12.
Althea is ready to advance her longtime best-friend relationship with Oliver into something more, but his narcoleptic-like condition, which causes him to suddenly sleep for weeks or even months, prompts his moving to New York for a medical study. A fierce, intelligent, and mature debut.
Because You’ll Never Meet Me. By Leah Thomas. 2015. Bloomsbury, $17.99 (9781619635906). Gr. 9–12.
They are the oddest, and yet, most fitting of pen pals: Ollie, who can see the colors and shapes of the electricity to which he is allergic, and Moritz, who has no eyes yet can see through superecholocation. Even though their conditions mean they can never meet, their communication illustrates the limitless potential of the page.
Kids of Appetite. By David Arnold. 2016. Viking, $18.99 (9780451470782). Gr. 9–12.
Vic, who suffers from Moebius syndrome (a neurological disorder causing facial paralysis), is taken in by an eccentric group dedicated to helping him spread his father’s ashes. Though a murder investigation frames the story, this has more of a philosophical bent and is meant for, as Arnold puts it, “heart-thinkers.”
The Light Fantastic. By Sarah Combs. 2016. Candlewick, $17.99 (9780763678517). Gr. 8–11.
April’s hyperthymesia means she can vividly recall details from every day of her life. She also fixates on certain national tragedies—one of which seems about to occur across the country, involving her childhood friend, Lincoln. Eventually, seven voices, united by an online forum, come together to plan a day of school shootings. Both lyrical and tense.
> Try a free trial or subscribe today